One of the little nice things* about having my birthday in late June is that if I take a day off for it, as I have done, I can go out and pick strawberries. I've never exercised that possibility before, but I think I will do so later on.

And it's so far a nicer day for it than in weeks. Eccelente.

*I was going to say 'perquisites', but I see that those are benefits explicitly not derived from one's birth

On accents

Jun. 10th, 2009 10:29 pm
The other day I was musing on acting accents, spurred partly by a discussion in [livejournal.com profile] james_nicoll's journal about how practically no one gets them right, and partly by a background train of thought on playing Elizabethan theatre. Someone asked me a while back whether I did an English accent for Shakespeare; I hadn't really thought about it, but I guess for upper class characters, at least, I do a mostly region-neutral aristocratic tone. I mused on trying to make my pronunciation at least a bit more British, but as before mentioned accents are very tricky. House, M.D. is passable, and Amy Walker seems pretty convincing to me, but this is a singular talent, I would say, which is not possible, and perhaps not desirable, for the majority of actors to use. Because an accent can also be distracting, and an even slightly imperfect accent doubly so. Some roles, like Captain Fluellen, clearly demand an accent, but that's part of the character, written in to be an accent, and so not a distraction laid on top of it.

Still, there is some thinking out there that Shakespeare is more properly played with an English accent, and so I mused on whether I was doing my parts a disservice by not learning their proper tones. But then, while looking at opinions expressed on various internet fora, I saw a point made that was terribly obvious, and completely changed my thinking: modern British English is as much evolved and changed from Elizabethan English as American English is. So until we can all learn to con a true Elizabethan speech, I do not think we should feel lessened for not speaking in a different incorrect dialect.
List 15 songs that have gotten stuck in your head over time. Try not to think about them too much.

  1. Clampdown - The Clash

  2. Eminence Front - The Who

  3. LA Woman - The Doors

  4. Man on the Moon - REM

  5. Smash It Up - The Damned

  6. Turning Japanese - The Vapors

  7. Battle of Evermore - Led Zeppelin

  8. Livin' la Vida Loca - Ricky Martin

  9. Aquarela do Brasil - Ary Barroso    (Well, the instrumental part, at least)

  10. Twa Corbies - esp. Steeleye Span

  11. Read My Mind - The Killers*

  12. Hotel California - The Eagles

  13. Rock'n'Roll Radio - The Ramones

  14. I Fought the Law - The Clash

  15. Lawyers, Guns, and Money - Warren Zevon


I say nothing about whether I like these songs, just that they have proven able to get stuck with me. And now maybe with you, too. ([livejournal.com profile] cat9 Said that, unlike the fond memories that the book version engenders, this one would be the devil incarnate. So be it.)

*(When I head this song on the car radio I jotted a note for myself to look it up later, on my arm. I was slightly confused when in the shower I found a messily scrawled note to the effect that "killers read my mind")
The infamous "they" suggest this diversion: "List 15 books you've read that will always stick with you: list the first 15 you can recall in 15 minutes. Don't take too long to think about it."

  1. The Lord of the Rings - J.R.R. Tolkein

  2. Lord of Light - Roger Zelazny

  3. The Guns of August - Barbara Tuchman

  4. Cyrano de Bergerac - Edmond Rostand

  5. A Portrait of the Artist as a Young Man - James Joyce

  6. The Warrior's Apprentice - Lois McMaster Bujold

  7. The Once and Future King - T.H. White

  8. Dirk Gently's Holistic Detective Agency - Douglas Adams

  9. The Caves of Steel - Isaac Asimov

  10. The Moon Is a Harsh Mistress - Robert Heinlein

  11. A Wizard of Earthsea - Ursula Le Guin

  12. The Phantom Tollbooth - Norton Juster

  13. Guards! Guards! - Terry Pratchett

  14. Slaughterhouse Five - Kurt Vonnegut

  15. How Much for Just the Planet? - John M. Ford


I found it diverting. My list contains some works that are not lifechanging high literature, but are truly memorable to me, so I think that's fair.
Well, the dress rehearsal was pretty good, but a bit unsatisfying in a couple of key scenes for me - and overshadowed by [livejournal.com profile] alexx_kay being struck upon the head by a sword, and needing stitches. I liked that fight, but we all thought it would be best to drop it for tonight's show, parts of it being so uncontrolled as to let that kind of injury happen.

However, I spent much of the afternoon musing on things that I could tweak, and getting feedback from [livejournal.com profile] cat9's fresh eyes, and I for one am fully satisfied with my performance. Beyond that, a few parts that I had been pretty dubious about right up until the night itself came off very well in the moment, and I was newly impressed with the talents of many of our players, whom I had already known to be very good.

The question now, of course, is after one has conquered the kingdom, and won the lady, what does one do afterward? You would think sleeping the sleep of the just was an obvious plan, but in dark humor I've got insomnia now, so you see me posting at 3:30 instead. Certainly I have a lot of residual energy, and it was a great enough role to leave me with a lot to reflect on, but after sleeping so peacefully last night it seems plainly ridiculous that I should now be unable to get me to rest.

I will tell you this, though: I will not mind if next time I act I play a plucky comic relief character the number of whose lines can be counted in the low hundreds.
After watching a Scooby Doo movie last night* in which Shaggy and Scooby bump into a medusa briefly, I was musing on mythological creatures that through their gaze, touch, etc. could get you stoned, and whether anyone had made that joke before. With a little googling I didn't find anyone having explored all of the potential for psychoactive basilisks, but I did wander off onto cockatrices, because they're really a breed apart as far as petrifying creatures are concerned. They've just got weirder and more contradictory myths associated with them, I think, then say the basilisk. Plus no one really remembers much about them, whereas your man on the street could probably recognize a medusa right off - which is about the only chance he'd get, anyway. The cockatrice's alleged capacity to stone you by breathing on you is pretty funny all on its own, but when I inevitably perused the wikipedia page the thing that really caught my eye was the claim that, of all animals, the weasel is the only one immune to the cockatrices rocky imprecations.

And that is fascinating to me because, amongst other things, it finally clears up a point about which, I have to admit, I initially was slightly dubious: [livejournal.com profile] dkapell's claim that weasels are 3% of the battle. If it saves me from facing a squad of cockatrices myself, you bet I'm keeping a platoon of weasels around.


*(Scooby Doo and the Goblin King, one of the modern cartoon ones where actual magical things happen - but surprisingly good, and with voice actor guests ranging from James Belushi to Lauren Bacall. It was fun.)
To Katherine:
hey k8, u wanna b gf?

To Rex:
Dear Sir,
Is this a joke? I cannot tell from your "text message" language.

To Katherine:
no k8, s'ok u dont spk txt - if u <3 me?

To Rex:
I do not know how to answer. What does it mean to '<3 me'?

To Katherine:
2 <3 u k8 is ott, bc ur 0:-)

To Aliz:
Can you dismantle what he is saying? Is that supposed to be me, with some sort of halo?

To Katherine:
Yes, that's what he's saying.

To Katherine:
y k8, i rly mean it

To Aliz:
Behold the silver-tongued sophistry of men!

To Aliz:
? she say? say im no srs?

To Rex:
yes, that all u men have lies in ur mouths - that's k8!

To Katherine:
ur rit, sometimes were 2 slick. mb its good u a noob @ txt tho cuz if not ud c i cant b v slick @all. idk how 2 mince more than str8 up 2 say i <3 u. if u say 'o rly?' im lost 4 words. so plz, just gimme ur .02

To Rex:
Dear heavens, I think I understood that.

To Katherine:
Part 1 of 2: im no poet k8, ik. if i could WoW 4 ur <3 or out drink sum1, id rack up pts + drown em all 2 stupor. but k8, ive got no smooth words 2 win ur <3, just strong lan

To Katherine:
Part 2 of 2: guage, tho i dont toss it around, i always mean it. im not pretty but im a str8 shootr. + smooth guys th@ talk into ur <3 always talk ther way back out.

To Rex:
Is it possible that I should love the enemy of English?

To Katherine:
no k8, but i <3 english so much i cant help +ing more words 2 it. say YLM + we can share english 411 4evr.

To Rex:
I have no idea what you just said.

To Katherine:
no? ill say it ur way, tho im bad at it. Your Eloquense matched with my Inventingness twould make a more Beautiful English. ther, ik ul get a lol @ that, at least

To Rex:
Ha, your proper English is better than my 'txtmsg' .

To Katherine:
no k8, ther =ly bad. but dyk this much txt: can u <3 me?

To Rex:
IDK

To Katherine:
do ne of ur neighbors know? ill come over + ask them. ik u <3 me + ik ull txt 2 aliz bout me l8r. just b kind, bcuz ILY truly madly deeply. have my babies!

To Rex:
Well, I don't know about that!

To Katherine:
know it l8r, just say ull try it. try it + try me. How will you answer me, my heart, my whole world, my divine Kate?

To Rex:
OMG, you speak well enough to fool any txting N00B!
Well, ok, there is perhaps a carload of stuff still unmoved from the old place, and a bit of sweeping to do, but here we are, living in our fabulous new condo. We have showered and been out to try things from many fine local restaurants at The Taste of Dorchester.

The couch went in without incident, and is nearly re-stuffed. Shortly we will have a bed, and then I shall muse on whether I want to go to the effort of putting up curtains tonight.

I feel an immense relief at managing to actually move into this place. (It was more than a little nerve-wracking watching it all slide together at the last minute, knowing that less than a month ago we had no walls.)

Housewarming announcement sometime after we have a bed.

ETA: our fridge now contains beer, milk, and champagne. Tutto il mondo รจ buono

Das haus

Apr. 18th, 2009 11:27 am
I have received my mortgage approval packet, signed it, and sent it back.

Barring anything bad coming up in the inspection on Friday, which seems unlikely with such a thorough renovation, we should be clear to close on the 30th.

We'd better step up the packening.
Well, now I've seen that big glowing blue... thing that's been stirring up surprise and amusement at cinemas across the country.

I mean BOB from Monsters vs. Aliens, of course. It was a funny little parody of all sorts of monster and alien-invasion movies. Kind of adorable.
I just noticed that the foil collar around the neck of this bottle of Magner's is textured very much like Perlin noise.

Maybe that random(ish) crinkling improves it's adherence. Or something.
Wearing green
Listening to a Pogues,etc. station on Last.fm
Corned beef cooking away in the crockpot
Magner's chilling in the fridge
Soda bread ready to go when I get home
Saw the Flogging Molly concert* last Tuesday, but hey, that's pretty close, right?

Yup, I'm totally ready for St. Davy's Day.


*(And it was bloody great.)
learnedax: (dave)
So I don't have a music collection on my office computer, and my iPod has been not especially functional for like 2 years, and our firewall locks down suspicious random connections like streaming radio. So I tried Pandora again, but it's still kind of clunky, not very good at getting the music I actually want, nor at letting me skip past the four Sex Pistols hits it keeps trying to foist on me when I say I want punk.

Today I started using Last.fm, and so far it's a whole lot better, for whatever internal reasons, and less irritating to use (they even display the track info in the title bar, which is a small but awesome improvement). I don't know whether broadly-speaking its recommendation system is any better, and I may create an account to find out, but this station I'm listening to now, built off a single band I said I liked, nails the cluster of things around that data point really well. And I should maybe not be surprised, because this is Radio Clash. On pirate satellite.
They moved the sun. It's not hard to tell; every day I go to work and it's there, in its new place, startling with its blinding rays coming from an unexpected direction. It's as plain as, well, the sun in the sky.

Don't be silly, they'd say, the sun is enormous. A celestial body of inconceivable size, astronomically far away. And hotter than lava, we don't have anything that could touch it even if we could get there, even if we had the force to move that exploding juggernaut one inch.

But yet it is moved. We can all see it up there. The trains still run as they did before, the workday still goes on as it did before, the people all go to bed as they did before, but the sun's not where it was.

They did it by making us accept that this is where the sun should be. We move it in all our thoughts, and if our minds rebel in small ways we soon enough overcome them and begin to believe that this is where the sun is, where it always has been. And by will alone, it becomes so.
April March is the cruelest month, breeding
Hopes of spring out of dead hearts, yielding
Mudthaw and desire, pelting
Warm heads with damned sleet.

Intercon I

Mar. 8th, 2009 09:54 pm
That was a really fun weekend. Every year at Intercon I seem to play fewer games - that'll be hard next year, as I played two micro-games, slept through one normal-sized game because I completely misread my schedule (I'm still rather surprised I did that), and left the other one I'd signed up for after it... failed very hard.

However, I ran a couple of smallish games, and they came out quite well. Writing and running games, despite being a very stressful process at numerous points leading up to the event (and occasioning quite a bit of lost sleep in the previous two weeks), is often more satisfying for me than playing in games. Of course, there were a couple of other people's games that ran this year that looked really good, and I couldn't play them because I was running my own games in those same time slots. So there are costs as well, and I don't actually want to become only a producer.

The low density of games in my con, though, actually made it more like any other convention, predominantly about socializing, where Intercon is frequently a mad dash from one game to another for me. So that was really very nice. In some downtime [livejournal.com profile] dkapell and I even knocked together another little game that we had jotted notes on some months ago - it was of the rare breed of larps that write themselves. Do to having far too busy an enjoyable social calendar, we never quite managed to get it run, but I have it sitting on my coffee table right now, ready to run at a moment's notice. (That also never happens to me; a spare game in the bag feels weird.)

So it was a great weekend with a lot of friends of mine... but maybe next year I should make more of a concerted effort to get in some consumption of larps as well. And, you know, play more of them out in the world, rather than just when the convention serves them up to me.
Sparked by some comments by [livejournal.com profile] sml, I return to an idea that's been bouncing around in my head: an IDE that truly integrated with source control. It's useful that many modern IDEs help you with checking projects in and out, but mostly they're just taking the place of some other SCM client. There are three ways in which I think an IDE can leverage its specific position to help a tremendous amount with source control, mostly focused on merging - which is the part of SCM that causes most of us the most headaches anyway.

First and most significant, the static analysis tools (up to and including the compiler) an IDE has give it a vastly more informed picture of code changes than any pure-text merge system can hope for. When doing a merge, your IDE could reasonably look at not just the proximity of changes within a file, but the referential impact of the changes. This means it can both declare changes not to be in conflict when they, say, make adjacent changes to different variables, and also declare changes to be in conflict when they break references across multiple files, e.g. I change a method signature and all known invocations, while you add code that invokes that method with the old signature.

What's more, if there is genuine ambiguity about how changes should be merged, the IDE can inform its guesses about the correct result by checking which results are syntactically correct. It can even test build different merges. Of course, since this is relatively Smart behavior making guesses about your code, I think it should fall back ultimately on your judgement - but by doing all this checking upfront, the IDE can at least present much better guesses, and mark them with varying degrees of confidence. For instance, a rollup of merged sections could color code them from green (for changes which appear to be orthogonal to all other known changes) to red (for changes that cannot be satisfactorily merged automatically), with a spectrum in between (e.g. a yellowish marking might show up where two people separately add parameters to a function that appear to be entirely separate changes).

Second, by subscribing to updates on the relevant files/projects (most SCMs provide some sort of at least rudimentary mechanism to allow this), the IDE can speculatively pull in changes in the background, and apply the same intelligent comparisons to give the developer some notice of when they're making changes to pieces of code that someone else is also working on. If it's as good at analyzing code patterns as some programs (Idea) are today, it might even be able tell you when someone else has already added code that looks like the code you're adding, saving you from fixing the same problem. From a UI standpoint, I see the desireable behavior as being intuitive hinting as to the change overlap, rather than anything distracting like alerts - thus perhaps something like using color-coding again to, say, mark the margins from white for untouched code gradually darkening as overlap increases.

Third, and probably most contriversially, the IDE can invisibly create individual branches for each developer. When you save your files, they get committed to your private branch, and when you Commit, they get pushed into the (relative*) trunk. The two advantages to this are that a) you get your work backed up someplace non-local, and b) other instances of the IDE can use your not-yet-complete changes for speculative merges, as above, by looking at automated branches in source control. That means you get an idea of when you're touching the same ground as someone else far in advance of the code being stable for a check-in. Of course, code that's only on a private branch probably gets less weight given to it than anything on the trunk, and especially if it doesn't build on its own. Still, this provides a gradation between completely collaborative work and fully parallel work, where your environment can help you peek at other changes and figure out which ones are relevant to what you're doing.

I can see resistance to each developer being on their own branch, both because it creates longer times between merges and because programmers don't want their partial work recorded in source control. The former I think is a non-issue here, because the entire point of branching would be to aid merging as early and often as possible. The latter is a more serious concern, and I'm not sure it can be easily addressed. Maybe, a la AccuRev**, you control when you check into your private branch and when you commit back to the trunk; that would give everyone a measure of control over what they were showing, while still allowing lookahead before a large batch of changes is totally ready for checkin.


* You might be working on a branch already, which I'm calling your relative trunk.

** AccuRev is bad in most important respects, but giving you two-stage checkins had the glimmer of a good idea in it.
Yesterday we went up to Endewearde for The Tourney of Love. It was a good time, with not many people I knew well but quite a few nice people that I'm glad to have met and to have spent more time with. And, largely in reaction to events like Birka and Twelfth Night that I had had no real interest in at all, I wanted to go to a classic SCA event, in a hall, with fighting and feasting and performance and stuff. And this was just what I wanted.

And so, I went to Wednesday's practice to make sure my armor was alright putting it on the first time since... uh, Pennsic, probably. Neither day was a large number of bouts, but my kit and I were both noticeably creaky, and I'm currently pretty damn sore and bruised. I won a neat 50% of my fights in the tourney, but I've got some work to do if I don't want 24 rounds to wipe me out. I suppose, as E remarked on Wednesday, at least I'm not finding this state of affairs in May...

Oh, yeah, and at the event Alethea awarded me a Burdened Tyger. That was very sweet.
I guess it's been bouncing around for a while, but since it's new to me, today's word has been

Glibertarian

You probably know a couple. If not, well, good for you.

Whoops

Jan. 31st, 2009 10:01 am
So, at the moment if I search for anything at all on Google, all the results are marked "This site may harm your computer", and can only be accessed by editing the address bar directly.

It seems to be not localized to me. So, did someone at Google really really screw up their safety metrics this morning?

[ETA: Now fixed. Major screw-up on Google's part. CNET is covering it, and include the possibility that the malware tracker they relied on went down. Which implies a very poor design on Google's part...]

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